Raza’s
Bindu
Concept
& Text: Ritu Khoda and Vanita Pai.
Afterword
by S.H. Raza
Illustrations:
Kundan Shanbagh
Scholastic
India. I am an Artist series. 2014. Hardcover. Full colour. Rs. 350. 150. 66
pages.
ISBN:
978-93-5103-282-3
Breathes there a child
who doesn’t enjoy playing with colours, whether on paper or on walls? My
informed guess would be: No.
Like music, art has an universal
appeal for the young across countries, colours, religions ~ until adults
(including parents and teachers) step in with spirit-sapping questions. Like ‘How can an elephant be
silver, with a pink trunk?’ or ‘Silly! Why have you painted the sky green and
the grass blue?’
I think it is
unfortunate that Indian adults often tend to look down on arts-based professions.
Nor do most parents take children to visit artists, studios, or art galleries. Their
fear: how could this lead them to the top of the class, an IIT seat, or a Bill
Gates lifestyle?
As an art buff (surrounded
by original art at home during my growing years), my friends today include
dozens of creative dreamers. For decades, I have wished it was possible to
change our collective lens on art. But how?
To me, this book is a long
overdue step in the right direction. Active art educator Khoda and creative
writer Pai spell out their dilemma in a concept note, ‘Why are children not
aware of great Indian modern artists?..... How are we to inform them? What
approach should we take? How should we balance the visuals with the concept and
text to make a book that would grab children’s attention and more importantly,
hold it?’
Their foray begins with
a mere dot ~ or Raza’s bindu. They engage the reader with a hands-on, child-centric
approach to his art. The legendary artist, now 93, says in his afterword, ‘As a
child I was never able to concentrate on studies. One afternoon, my primary
school teacher made me sit and train my gaze on a ‘Bindu’ he had made on the
wall, to teach me to focus… Decades later in Paris, when I sought some Indian
ideas for my art, the Bindu came back to me and it became a recurring image in
my work over the years. To me, Bindu is a still centre, a source of energy. It
is the beginning and the end.’
Guided by a playful,
lilting narrative, aided by intelligent creative exercises, the book charms
both the child and the art-resistant adult. For instance, one of the three
tear-out worksheets at the end comes with these instructions: ‘Take your
paints, pencils or crayons and find a quiet corner to sit in. Close your eyes
and take a deep breath. Slowly open your eyes and start making your Bindu.’
The core illustrations
based on Raza’s paintings, some with unique fold-out pages, are
irresistible. Play is the central road to
a child’s heart, a route the authors navigate with soul. Via geometric stickers
with which to create art. Via exercises
on the Rangamala or the Panchatatva, made easy and fun.
And best of all, via
questions that tease the child into exploring uncharted concepts: What would it
be like to be under Raza’s cool, blue sea? Or looking up at the calm blue sky?...
Why do you think Raza painted these
bindus in half? Could they be playing hide-and-seek? Do you think they will
meet? What will happen then?
Unlike other recent Indian
children’s books on art, which have concentrated on art lives instead of experiential
learning, Khoda and Pai have their formula just right. They often back up their
book basics with intimate, non-stop fun workshops at bookstores, libraries and
other child-centric spaces.
The time is right. The
approach is right. All we need now is for parents to take their rearing cues
from these luminous creators: Ask open-ended questions. Listen patiently. Focus
on the process. Accept mistakes. And so on.
This
beautifully-produced book makes me look forward to future journeys in the series
with Ambadas Khorbragade, Ram Kumar, Ganesh Haloi, Jamini Roy, Badrinarayan and
others.
Who knows, a generation
impacted by this insight-rich series might bring mind-blowing surprises our
way. Perhaps there is a future MF Husain,
J Swaminathan or KCS Paniker in the wings? As adults, we need to peek carefully
~ and not disturb.
Raza’s
Bindu made me wish this book had come my way when I was
8-plus. It might have enhanced my journey into the art world by several notches.
I would not doubt that for a micro-second.
(This review was originally published online in GoodBooks in 2015)
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